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Bursting with imagery, the book features more than 140 illustrations by Dalì. Many of these are appropriated artworks, including various classical nudes, all of them reconstructed with suitably Surrealist, provocative touches, like Jean-François Millet's The Angelus, one of Dalì's favorite points of reference over the decades. Dalì also included what is now considered one of the greatest works from his late "Nuclear Mystic" phase, The Sacrament of the Last Supper (1955), which sets the iconic biblical scene in a translucent dodecahedron-shaped space before a Catalonian coastal landscape. Dalì was by this stage a devout Catholic, simultaneously captivated by science, optical illusion, and the atomic age.
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Bursting with imagery, the book features more than 140 illustrations by Dalì. Many of these are appropriated artworks, including various classical nudes, all of them reconstructed with suitably Surrealist, provocative touches, like Jean-François Millet's The Angelus, one of Dalì's favorite points of reference over the decades. Dalì also included what is now considered one of the greatest works from his late "Nuclear Mystic" phase, The Sacrament of the Last Supper (1955), which sets the iconic biblical scene in a translucent dodecahedron-shaped space before a Catalonian coastal landscape. Dalì was by this stage a devout Catholic, simultaneously captivated by science, optical illusion, and the atomic age.
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